Kiyoshi Awazu, Japan © French New Wave Collection La Chinoise (1967) poster. Together, they have produced Horror Poster Art and Science Fiction Poster Art, and collections of 20th-century film posters by decade.

We have new and used copies available, in 1 editions - starting at 11.73. Tony Nourmand is co-owner of the Reel Poster Gallery in London and a poster consultant to Christie’s Graham Marsh is a designer and art director. With these movie posters, there’s an argument to be made where were taking pop art onto the streets before those big artists did.’ La Chinoise (1967) poster. Buy Film Posters of the 60s: The Essential Movies of the Decade by Graham Marsh (Editor), Tony Nourmand (Editor) online at Alibris. ‘One thing you have to remember,’ he says, ‘is that in the late 50s and early 60s, when pop art was coming out, not many people had been to The Factory. The poster and earlier ones like it are essentially pop art before pop art exploded into the mainstream. You can see it was just thrown together, with very little artistic decisions being made.’ For Nourmand, this poster again highlights the early pop art philosophy, with splashes of colour as if ripped from a comic book. Graham Marsh is a graphic designer who has already collaborated with Tony Nourmand on Film Posters of the 50s, the 60s, the 70s as well as Hitchcock Poster Art.

They’re not designed they’re basically covered from top to bottom with reviews – winner of this or that. ‘The American posters for the French New Wave movies, by and large, are awful. Mostly American movies with examples of posters from America and Europe, 160 colour reproductions. It’s quite different from the US poster, which is basically just Julie Christie and Oscar Werner sandwiched between some flames. The Hungarian poster for Truffaut’s Fahrenheit 451 appears to predict The Beatles’ Yellow Submarine cover, a slice of 60s psychedelia.

Film Posters by Graham Marsh